A film which only gets 3/10 on IMDb. Is it true that any film with
dinosaurs wins over Michael? Possibly.
A film which only gets 3/10 on IMDb. Is it true that any film with
dinosaurs wins over Michael? Possibly.
Reign of Terror (episode 1)
A Land of Fear
Armored brigades engaging their lines
Regain control of black gold
Your reign of terror will come to an end
Forcing you out of control
Thank you, Saboton.
So the Doctor was in a plot induced huff and wanted to abandon Ian and
Barbara. But first we see cloaked figures walk through a forest. Written
by Dennis Spooner is a promising early announcement. Funny seeing the
TARDIS land without the grunting groaning sound we all know and love.
Apocalypse Pompeii (2014)
So we start with a guy trying to drive his wife and daughter away from
some volcano in the Carribbean/latin America as pyroclastic flow rushes
through their village. And just as I was about to write down how
unrealistic that is, the car explodes, because you can't outrun
pyroclastic flow. I guess that's them dead.
Meanwhile, a guy who looks like Alberto Del Rio (man, did this reference from a week ago date badly!) is having a boring
meeting in town. And some American tourists are investigating Pompeii
when Vesuvius explodes again. Is this the same explosion? The narratives
a bit weird here. Also its a Bulgarian Italian film, the audio for it
on Horror Channel is ¤¤¤¤ed, and there's no subtitles so I haven't a
clue who is who.
How to Kill a Monster
So, back in the early 1990s, writer RL Stine had finally carved out a
niche for himself. He had spent 20 years writing anything and everything
under the sun - joke books, colouring books, self help books,
interviews, articles, liner sheets, TV scripts, comics - that would pay
the bills as he tried to make his way as a writer. He wanted to be
Jovial Bob, a MAD magazine style writer, but he struggled to get that
successful paying job until he was in his 40s and an editor friend of
his wife noted his love of horror and asked the infamous question: "Why
not write a horror book?" Twisted was the result, for Scholastic's new
young adult range and it quickly became a best seller in its
demographic. So he got asked to write another, and another, and soon
even his own series of books, Fear Street.
The Sand (2015)
We open with found footage of a night time teen beach party, where is
playing loud music, drinking and falling out with each other, usual
stuff. This juxtaposes with the early morning beach, which is quiet and
empty bar 8 teens who wake up, 4 in a car, 2 in the lifeguard hut, one
on a table, one in a barrel. No one else is left. Then someone stands on
the sand and dies horribly, and it becomes clear they are the survivors
of some horrific attack which is still going on, and that anyone who
steps foot on the sand is dead.
Sensorites (episode 1)
Strangers in Space
So the crew don't now where the TARDIS has landed and all the signals
are wonky, so they open the doors, but first a quick reminder of all the
adventures you missed:
IAN: There's one thing about it, Doctor. We're certainly different from when we started out with you.
SUSAN: That's funny. Grandfather and I were talking about that just before you came in. How you've both changed.
BARBARA: Well we've all changed.
SUSAN: Have I?
BARBARA: Yes.
DOCTOR: Yes, it all started out as a mild curiosity in a junkyard, and
now it's turned out to be quite a, quite a great spirit of adventure,
don't you think?
IAN: Yes. We've had some pretty rough times and even that doesn't stop
us. It's a wonderful thing, this ship of yours, Doctor. Taken us back to
prehistoric times, the Daleks.
SUSAN: Marco Polo, Marinus.
BARBARA: And the Aztecs.
DOCTOR: Yes, and that extraordinary quarrel I had with that English
king, Henry the Eighth. You know, he threw a parson's nose at me.
BARBARA: What did you do?
DOCTOR: Threw it back, of course. Take them to the Tower, he said. That's why I did it.
BARBARA: Why?
SUSAN: The Tardis was inside the Tower.
I'd have preferred that last one - unseen - over some episodes of Keys
of Marinus tbh. The Doctor and crew are no longer adversaries, they are
now firmly friends, joking about historical murderous tyrants.
The Shout (1978)
John Hurt is one of my favourite actors. He's just brilliant in
everything, isn't it? There's rarely a scene in which he wont steal it
by being John Hurt.
And yet, The Shout is that rarest of beasts, where Hurt is second fiddle
to another acting talent. For, from the moment he is introduced scoring
a cricket match, the eyes are drawn irretrievably towards the magnetic
danger of Alan Bates. As Crossley, Bates is eyes, silence and whispered
lines, but so in control of the character and screen he manages to blow
away everything around him.
Jurassic Park III (2001)
When you are younger, you take things for granted.
Like the concept of there being a new Jurassic Park every four years. Of
course, this one had disappointing returns and put the series on hiatus
until 2015. There was hints of this dispiriting 21st Century in the
cinema, as I saw my dad’s face fall further with every scientific
inaccuracy.
In Jurassic Park, the Dilophosaurs are entirely reinvented for the sake
of a jump scare, but it works within the context of the film. Also the
series Raptors are actually Deinonychus, but no kid ever complained
about that because Deinonychus are ¤¤¤¤ing awesome. The Lost World
decided to eject the paleontology lessons for more action. Here all the
rules of dinosaurs are thrown out the window to tell a super-monster
story. Does it make for a thrilling film? Sort of. But its also a more
hollow experience.
The Lost World: Jurassic Park II (1997)
So studio execs and Steven Spielberg really liked Jurassic Park.
Specifically, they liked the money it gave them. So they got Michael
Crichton to write a swift sequel, and then signed the rights to make the
film version, in which they jettisoned every single thing in that
Crichton book. And to be fair, good decision, that book is Exhibit A in
Writer Doesn’t Give A ¤¤¤¤ About Book He Was Contracted To Write.
Instead, they nab a few good scenes from the first book they didn’t use
in the first film, nick from stuff like The Wizard of Oz and Alien, nab
the finish of King Kong, and add in far more dinosaurs. This may sound
cynical, but it worked, and it sort of works, and is the lesson Jurassic
Park III didn’t learn in the slightest.
A School Story
M.R. James
I really like James poking fun at all the common stereotype ghost tales
around in the opening, but I feel like at some point, there's James,
sitting at his desk, writers block hitting, Christmas round the corner,
comes up with an idea but DAMN IT, he already used it at the start of
School Story!
"‘I dare say it was. Then there was the man who heard a noise in the
passage at night, opened his door, and saw someone crawling towards him
on all fours with his eye hanging out on his cheek. There was besides,
let me think—Yes! the room where a man was found dead in bed with a
horseshoe mark on his forehead, and the floor under the bed was covered
with marks of horseshoes also; I don’t know why. Also there was the lady
who, on locking her bedroom door in a strange house, heard a thin voice
among the bed-curtains say, ‘Now we’re shut in for the night.’ None of
those had any explanation or sequel. I wonder if they go on still, those
stories.’ "